It’s countdown to Christmas, and it’s the second to last Sunday before the new year, 2014. I’ve had a minor cold for the last two days, which has finally gotten a tad better. With a bright sun shining through the window, I couldn’t wait to get out into Hong Kong to have a mid-morning family brunch somewhere new… and by family, I mean my sister, Bernadette, and my gal pal, Louise.
The offerings for dining destinations in the city multiply each month. Not knowing which new place to try, Louise definitely knew where we should at least be headed… the corner of Upper Station Street and Tai Ping Shan Streets in Sheung Wan where not one, but three new cafe/bistros have just opened up; namely the Upper Modern Bistro by Michelin rated chef, Philippe Orrico, ANTIPODEAN Cafe an all around coffee house, and lastly, NOSH Tai Ping Shan, a very airy and open western eatery on the top end of the street. We finally settled at NOSH because a friend of mine, Eugene, is helping run the place and the crisp cool weather today was perfect for seating at the cafe’s window bar table. I sat on the outside, while Bernadette and Louise sat on the inside.
For Hong Kong, with increasingly strict outdoor street seating laws, but very tight spaces for restaurant planning flexibilities, some restaurants are starting to get really smart about using the establishment’s facade edges to try to place in more seats. It’s al fresco, but just not “all the way” alfresco.
Art Basel in Hong Kong may have just finished its first year of exhibition last week… and while some of my friends are either at the Venice Biennale and/or Basel now to prepare for Art Basel in Switzerland opening June 13th, i’m here in Hong Kong to enjoy the new summer weather and to upload these photos for you guys of course.
It’s that time of year again. Art Basel Hong Kong (ABHK) arrives for the first time in our great city with tons of buzz. For those who are new to all this, all you need to know that this art fair in Hong Kong is the 3rd largest art fair in the world, third only to Art Basel in Basel and Art Basel in Miami. Before the Art Basel brand took over this year, the fair was dubbed ART HK (see all my ART HK posts here). The fair grew so successful since its inception in 2007 that ART BASEL officially became the major stakeholder of the fair in 2011.
This year there wil be 245 galleries from the around the world with over 50 percent coming from Asia and Asia-Pacific. Of the 245, 48 galleries will mark their first appearance at a fair in Hong Kong. The show will be presented in four sectors: “Galleries” for general work, “Insights” for Asia based works made for the HK Show, “Discoveries” for works by emerging contemporary artists globally, and “Encounters” for site specific works exhibited beyond the booth around the floor and curated by Yuko Hasegawa, chief curator at the Museum of Contemporary Art Tokyo.
Before we get further into the fair, so much is happening around the city with “OFF-Basel” (Official and Unofficial) Activities in the build up to opening night this Wednesday for VIP Members and Thursday for the General Public.
Here is our TOP 5 ‘OFF-Basel’ Guide to (Official and Unofficial) Events and Exhibitions Outside Art Basel Hong Kong:
+ ‘PAPER RAIN’ A Public Parade by Arto Lindsay
This multi-media parade built around the idea of cinema, unspools along the Victoria Harbourfront and on the Star Ferry. Contributions from Nadim Abbas, Haegue Yang, Angela Su, João Vasco Paiva, Korakrit Arunanodchai, Alice Ma, Enoch Cheng, Otomo Yoshihide, Cedric Maridet, Kung Chi Shing and Shane Aspegren, as well as more special guests to be announced.
Art Basel Hong Kong is eager to invite the public to take part and participate in this public event commemorating the first day of Art Basel in Hong Kong. The parade begins with a choir performance at the HKCEC Expo Drive Entrance. Then officially commences from Central Pier No. 10 (ferry will take public from Wanchai to Central). Parade will take artists and public to the Victoria Harbourfront and will end with an electro-acoustic performance by Otomo Yoshihide.
23 MAY 2013, Thur 16:30 - 19:00 / Public Parade Begins at HKCEC Expo Drive Entrance and Ends at the Viewing Platforms at the Victoria Harbourfront / Free and Open To The Public / Weblink
+ The Saamlung Three: Nadim Abbas @ CL3, Joao Vasco Pavia @ Goethe-Institute, Adrian Wong x Absolut Art Bureau @ Fringe Club
The highly celebrated Saamlung may have ceased operations as a commercial gallery in January 2013, but its space-less expansive projects and works are going the non-commercial route with new shows for the week of Art Basel Hong Kong curated by founder, Robin Peckham.
Expect new works by its core group of artists, Nadim Abbas, Joao Vasco Paiva, and Adrian Wong (under the Absolut Art Bureau curation)…in three spaces. Abbas’ animated GIFs and molecular structures will be exhibited in an architect’s studios at CL3. One floor below, Paiva continues his formal studies at the Goethe-Institut spaces, and supported by Edouard Malingue Gallery. Wong will have a very interesting “art bar” installation at the Fringe Club with animatronic jazz bands, geriatric lounge singers, Asian porn soundtracks, and surly waiters from a soy sauce steak joint.
Nadim Abbas at CL3 Architects 20-25 MAY 2013, 15F Hong Kong Arts Centre 2 Harbour Road Wanchai / Joao Vaco Paiva at Goethe-Institut Hong Kong 20 MAY - 8 JUN 2013, 14F Hong Kong Arts Centre 2 Harbour Road Wanchai / Adrian Wong Wun Dun Art Bar with Absolut Art Bureau 22-25 MAY 2013, BF Fringe Club 2 Lower Albert Road Central / Free and Open to The Public / Weblink
+ MOBILES by Xavier Veilhan
Word on the street is that Xavier Veilhan may erect site specific MOBILES at Galerie Perrotin’s 50 Connaught Road home. This week expect a group of recent and never-before scene mobiles of varying shapes and dimensions. Veilhan is known for his site-specific interventions in cities, parks, and living environments (most recently iconic Lautner homes in Los Angeles.)
Veilhan, as a multidisciplinary artist, is “possessed by a highly personal artistic universe inhabited by a heterodox range of characters, objects and animals. Through these devices, the playful component emerges as a fundamental element in evoking a reality populated with symbols, metaphors and other semantic ambiguities.” These timeless studies a transformed into iconic objects that aim to communicate via a “POP” language.
Xavier Veilhan’s Mobiles / 21 MAY - 6 JUL 2013, Galerie Perrotin 50 Connaught Road Central HK / Free and Open To The Public / Weblink
+ The Gift Shop by TANGRAM
For the second year in a row, Tangram will make Hong Kong’s best independent art, design, and fashion available for all Art Basel guests to take a little something back from Hong Kong with them as gifts for themselves or their loved ones in the world. Yes, it’s the long awaited annual, The Gift Shop, a 2 day pop-up concept shop to be located in Tangram’s studios in Chai Wan Mei (the art and design spaces within Chai Wan’s industrial district.)
Tangram’s newest collections will be on sale, but so will the rest of these amazing independent brands:
Stars & Tart (silk scarves) / Ferse Verse (paper products) / Hammer & Needle ( Leather Goods for Men) / Harlex (leather goods that can be personalized) / Gemma Hayden Blest (pressed plant collages) / 15SquareStreet (Men’s accessories) / TheYesterdaySkin (vintage and repurposed womenswear collection) / Or-Play (thoughtful children’s toys) / La Petite Mort Preserves and Jams (by Ashton Winkler, ex-Heirloom) / Teahka / MatterMatters (women’s accessories) / Tangram Loves Jaycow (bespoke headpieces with Jaycow Milliner) / Driftwood x Grafter by Michael Leung / Signed Prints By HK Illustrators Kitty Wong, Emilie Sarnel, Emilie Eldridge
Although Tangram’s founder Paola Sinisterra is perfectly happy with the “Off-Basel” annual shop to stay in Chai Wan, something tells me that this initiative should be closer to the fair next year because it is a treat for guests from out of town to go to a one-stop-shop for all the “CURATED” independent and design goods from our city. And I say curated because that HKTDC Design Store at the Convention Center and Hong Kong Airport just DOESNT Cut it. NO Offense to Anyone.
The Gift Shop / 24 - 25 MAY 2013, Tangram Studio, Unit 1701 Chai Wan Industrial City Phase 2 70 Wing Tai Road Chai Wan / Free and Open To The Public / Facebook Page and Instructions for Transportation
+ Wong Chuk Hang Art Night
With the Chai Wan Mei galleries and design space unveiling open studio programs for Friday and Saturday, I’d like to highlight another new Art District on Hong Kong Island… the Wong Chuk Hang Art District composed of a group of gallery spaces with include Spring Workshop, Blindspot (annex), Rossi & Rossi, Pekin Fine Arts, Gallery EXIT, and Alisan Fine Arts.
This Thursday night will be their “Art Night” with exhibits by Qui Zhijie, Fang Lu, David Adamo, Christopher Orr, Yang Xinguang, and photographs by Ai Wei Wei, Gu Zheng, Han Lei, Zhao Liang, Qiu Zhijie, and RongRong to name a few. Should be fun. Plus the SPRING space is amazing. (See previous post.)
Wong Chuk Hang Art Night / 23 MAY 2013 Thur 17:00-23:00, 3F Remex Centre 42 Wong Chuk Hang Road (entrance Heung Yip Road) Aberdeen / Free and Open To The Public / Shuttle Bus Available at Art Basel Hong Kong Expo Drive Entrance Starting 18:00 / Weblink
I will see you at all these things… well me or my clones.
It’s Fall at the end of the year, and you know what that means… Art Auctions. Yes, we attended the Annual Para/Site Art Auction this year located at Lane Crawford’s very cool One Island South company digs and was hosted by Board of Directors, William Lim of CL3, Yana Peel, Executive Director/Curator, Cosmin Costinas, with live auctioneer, Jehan Chu of Chaiwanese.
Cosmin and Jehan below.
It was really interesting to attend this particular auction, especially because i’ve been going to Para/Site auctions ran by Jehan for so many years now. I still remember when the auctions were small and held at the KEE Club back in the day. And now it’s a full dinner affair with friends and supporters. Very neat to see how far Para/Site Art Space and its programs have evolved over the years.
Ignacio checks out works on display for Silent Auction.
Some of my favorite pieces include this abstracted architectural topography by Joao Vasco Paiva, titled High Tide (2012) which sold at live auction for 42K HKD. The work was graciously donated by the artist and Saamlung Gallery.
This metallic skateboard by Olafur Eliasson, Your Mercury Ocean (2009), was donated by Vitamin Creative Space, and sold for 100K HKD.
I really liked Lot 62, a selection of prints by Sunjung Kim, Anton Vidokle, and Nikolaus Hirsch.
This one I liked, a DVD by Ming Wong, called Honeymoon In The Third Space (1999).
A good seller, Heman Chong’s, muted geometric composition from Never Let Me Go (2011), caught my eye. This painting on canvas sold well at 50K, and is a donation from Vitamin Creative Space.
Are you cool on your island? I absolutely loved this work by MAP Office, titled Honeymoon Island (2011), which I hope found a great home via silent auction.
This print, Cheng Ran’s Still of an Unknown Film (2008), sold at 60+K HKD, and a donation by the artist.
And there was no way I can do a post about Hong Kong art, without a work by my favorite artist, Nadim Abbas. This piece, Chernobyl_Core.gif (2012), is a print donated by Abbas and Saamlung Gallery.
The work of emerging artist, Trevor Yeung drew plenty of fans. Here G.O.D.’s Benjamin Lau and Alan Lau admire Yeung’s work, Sleepy bed (Sao Paulo Hostel 1) (2012). Yeung photographs subjects, usually male, all around the world, and turns them into multi-layered compositions which involve the photographic image as well as an overlay of illustration.
Next to the work, Lot 30, is a piece by Antony Gormley. Body XI (2011), was the biggest seller of the night and sold at 160K HKD by an absentee bidder. The work was donated by the artist, and Vitamin Creative Space.
In attendance was artist, Adrian Wong, and Xue Tan. Adrian was actually working on the composition for his Fall 2012 Saamlung show with his rabbit. Dont Ask.
We also spotted Alex Seno and Lane Crawford’s Eliot Sandiford. Thanks Alex for the invite!
Great to finally meet Claudia Albertini of Platform China.
The room was full of super couples as well. There’s no art shindig without the following… Tangram’s Igancio and Paola who will soon be unveilinga new collection in December. Here they are channeling the work of Chow Chun Fai, aptly titled Frida Kahlo and Diego Rivera (2011), which sold at live auction for 75K HKD. Perfect.
Supercouple #2, FIOL Prosecco addict Pietro and Whitney of the Gagosian Hong Kong.
Supercouple #3, Tim and Marc, here standing next to Yuk King Tan’s The Mandate of Heaven (2011). Love.
Supercouple #4, cool peeps Michelle and her husband, Varun. Great to see them here.
Twitter Supercouple Bonus, my gal, artist Yuk King in Tangram. Hello Yuk!
The tables at the canteen.
Whitney’s favorite works.
Pals on my table, Benjamin and Alan. Nice to meet you both!
Para/Site IS Hong Kong’s leading contemporary art space, the oldest, and most active. They exhibit, they publicize, they create discourse, and you wouldn’t think that based on their tiny space in Sheung Wan, that they are paving the way for many emerging artists. The point is, they’re moving spaces and adding curators, and they’re thinking big. Check out the works that were at auction here.
That said if you missed out on the Para/Site auction, but would still love to purchase work as well as contribute to a good cause, the Asia Art Archive Annual Fundraiser site is now up, and you can actually bid on your favorite work online. Yes. Contemporary Art at your fingertips. Many of whom had works that sold well at the Para/Site Auction. Good luck!
This photo and tweet was most Re-Tweeted Tweet… around the world… ever.
US President Re-elect @BarackObama announces “Four More Years” on Twitter, and as of this post has had over 810,000 RT’s (ReTweets) and almost 295K Favorites.
For those who have been following the election, and has had NYTIMES or CNNGo on re-fresh every second, probably perceived the obvious even before President Obama’s TWEET, but for some of us… ie. Shelly Hayashi, Proprietor of General Store, HK/China’s Best Americana antique store, and Me, we guessed the win about a week in advance. Call it what you will, or call it intuition, but we then got together with Moustache’s Alex and Ellis to host Hong Kong’s only Election night celebration at Salon No. 10.
Shelly in front of the American Flag.
I was beyond ecstatic at this point.
Ellis and Alex Hard at work over what turned out to be, HK’s best Mac & Cheese.
The dress code was Americana and the entrance fee was “Pot Luck Americana” of which all the guests; Artists, Creatives, Gays, and Democrats Abroad Hong Kong… brought.
American Flag Cupcakes from Katrina.
The girls from KinderU Suzuki Academy, Monica, Allison, and Proprietor Jennifer and all their American dessert goodies.
Which included this magnificent beauty…. what ever it was.
Shelly made Peanut Butter and Jelly Sandwiches as well as Cheesy Sandwhiches fried on a frying pan. Delish.
In attendance were Ralph Lauren’s Gierdre as a Disneyfied tourist.
Michael clad in BYOB.
Danielle of WHITESPACE with Paul from Democrats Abroad.
Bernadette, with her Beef Chili. (Im gutted I turned vegetarian a week before this.)
Moses and his friend who was there to celebrate both Voter-Approved legalization of Gay Marriage and Marjiuana in a few key states.
With Colorado Cookies…. hmmm what are they?
Also celebrating, Katrina, Nightlife Guru Johannes Pong, and Time Out HK’s Arthur Tam.
Stars and Stripes at the hip.
At the bar… Billy boy.
Artist, Adrian Wong in my favorite herringbone American Apparel pullover.
Mac brings home the pie… appropriately from the American Club.
Lingzi in glorious gold.
Thanks David and 15squarestreet for these OBAMABAUM, Obama Air Freshners! The guests loved them.
We ended the night re-watching the speech…
The decor by General Store at Salon No.10 was amazing. It felt like Election night in the 60s.
After the speech it was time to turn down the lights to watch some William Belli doing a Wilson Phillips drag impression about Chick-fil-A. Why? Because we CAN.
Thank you Salon No.10 Gang!
A Trifecta Show at OSAGE Kwun Tong by HK’s Contemporary Darlings; Nadim Abbas, Adrian Wong, Magdalen Wong, and Lee Kit
Between Christmas and Hong Kong’s super chilly Chinese New Year weekend in late-January, the city’s local art scene was anything BUT dormant. There are only so many hours during the week and I’m not a full time Wanderlister, but proudly, i’ve done my share of seeing what art shows I COULD quickly attend within the busy weeks that lead up to the Lunar New Year.
In a previous post i’ve listed all the important shows that were unveiled in the past month, and it was quite difficult because most of these shows opened on the same night/weekend with friends and peers participating and showing in each of them. I’ve yet to catch J.J. Ngai’s work of pencils at Voxfire, but I did manage to take a sneak peak at an interesting tri-fecta of exhibits from OSAGE Kwun Tong which all launched on the same night as J.J. Ngai’s show on the 13th of January. Which reminds me, I also need to see SAAMLUNG’s show of King of Kowloon graffiti artist, Tsang Tsou Choi. If you haven’t seen it, please go, and let me know what you think of it! And on top of the shows above, fringe exhibits from the FONTANIAN Open House as well as the M+ Bamboo Theatre which also launched within the same week, my thoughts on both in the next post. So basically overall, Art-wise, Hong Kong was BUZZING. Now let’s get on to the latest happenings at OSAGE!
+ TROGLODYTE SEE THE LIGHT (Adrian Wong and David Boyce / in collaboration with A.Wong’s Affective Portraits Series)
(Photo via OSAGE)
Troglodyte See the Light, a solo exhibition by Adrian Wong (photo, right) in collaboration with David Boyce (photo, left) and Lee Weng Choy, was conceived as a structured means of exploring the boundaries and limitations of language.
Having undergone several prolonged periods of premeditated and situational isolation (via meditation, extended stays in remote areas, and acute bouts of agoraphobia), Adrian Wong became acutely aware of the increasingly fragmented nature of his internal monologue. These breakages from conventional means of communication highlighted the rarely attended-to nature of pre-linguistic thought, the subject of the present investigation.
In classic Adrian Wong fashion, animatronics are involved (anyone remember his Ducks and Dishes at the Louis Vuitton Foundation A Passion for Creation show several years back at the HK Museum of Art?). The piece above titled, Kaspar Hausar, Ramchandara, and Natascha the Dog Girl of Chita, 2011 had three animatronic creatures (turds?) popping up from speakers having a nonsensical human-animal eternal dialogue with each other on loop in one part of the first of two rooms that was his exhibit.
In the second room below, was a bigger version of the creatures speaking the same language as the other three, but was sited moving and shaking violently in the middle of the floor.
On the walls around the creatures is a collection of Affective Portraits depicting Hong Kong’s “whose-who” within the creative/arts community. The subjects sit with expressions that are anything but “happy”, but their various placement on the walls are unsettling and resemble the kind of “portrait shrines” that tend to line homes, of figures religious or otherwise.
The subjects chosen were carefully picked, and pretty much reflect the local art scenes main movers and shakers. For example, The Berger Family above featuring M+’s Tobias Berger and his wife, artist Yuk King Tan, and the Practitioners from MAP Office Below with their children.
As well as familiar faces, Nadim Abbas (whose show is located in the adjacent room), and Kapok Design Store’s Arnault with his partner in the photograph to the most right.
Artist/writer/blogger Xue Tan in the silver frame below.
This same show was actually exhibited last year at ltd Los Angeles, with most of the same major portraits hanging around the same animatronic figures. To me it’s still unclear if there is a direct relation between the two seemingly disconnected works, but for sure both are quirky in the way Adrian Wong works usually are, but with an overall sense of unease and unsettlement as to what message he is ACTUALLY trying to push through in this particular show in juxtaposing these portraits with the creatures.
+ NO LONGER HUMAN (Nadim Abbas, Erkka Nissinen, and Magdalen Wong)
(Photo via OSAGE)
Next up Magdalen Wong (photo, left) returns to Hong Kong for a short while to collaborate with artists Nadim Abbas (photo,right) and Erkka Nissinen (photo, on computer screen) for a group exhibition of new works conceived as an open dialogue concerning the conditions of being human and the “multiplicity of known and unknowable trajectories of human development”.
In the exhibition space, viewers are confronted with Nadim Abbas’ alien landscape, It’s Afternoon in Utopia 2012, a terrain populated by familiar structures that look both formal and organic, a scale model for some b-movie sci-fi film, or an anthropological construct of communal settlement from history, who knows. It’s new. It’s fresh. And quintessentially a true Nadim Abbas piece.
Installation by Magdalene Wong gives us a false sense of escape.
Construct with video Installation, titled Polis, by Erkka Nissinen.
And me, having a toast and drink with Nissinen… via online video chat.
+ HOW TO SET UP A ROOM FOR JOHNNY (Lee Kit)
The only show actually 100% hosted by Osage Kwun Tong is How To Set Up A Room for Johnny by Osage represented artist, Lee Kit (photo, below). (The other shows are collaborative / shared space shows.)
(Photo via OSAGE)
As Lee Kit stated about the piece, “Moving house and looking for a house… always feels like a hotel once you move in, it feels temporary but intimate. Somehow you don’t know when you need to move out. But you need to settle down, and construct your life there, because a lot of things are happening outside.”
This same exhibit was presented within the Art Statements section of Art Basel in 2011. And to create this piece of a typical apartment (size accurate to the general size for a bachelor in Hong Kong), Lee Kit filled the flat with a living room, toilet, bedroom, and small pantry kitchen. Hanging throughout the flat are various hand painted props of exterior scenery, and generic bath and kitchen items, all pastel, all faded, and a barely there objects that make the whole scene seem fleeting as if the room was undergoing a process of erasure.
The placement of this “set” within the gallery’s enormously huge dark space makes the work better appreciated from a distance (ie. photo below) in its totality within the context of its overall scale. Which I think for those who were lounging around within it, on the couch, on the bed, and sitting on the kitchen table, I wouldn’t say lost the point completely, but would have just had a slightly different reading of the whole work.
In any rate, I do appreciate the objects and other knick-knacks that went into the creation of the work, but I appreciate these objects more as blots of color within a provocative pastel canvas, details that are only essential to help complete the overall composition (ie. dont spend time focusing on looking only at the dishes, hand lotion, and chairs for example.)
Spotted at the show, artist/photographer Jeremy who was showing at Fontanian this month with Kitty Wong and designer architect, Tong Hao.
Also spotted Elaine Young wearing a piece of her own collection from her brand LAB-yrinth, an interesting clothing line with a very distinct aesthetic and style which I’ll cover in future posts on this blog.
Don’t miss this show. You have until February 12th.
Osage Gallery Kwun Tong / 5F, Kian Dai Industrial Building, 73-75 Hung To Road, Kwun Tong, Kowloon / Exhibition Dates: 14 Jan - 12 Feb, 2012 / (852) 2793-4817 / Mon-Sun and Public Holidays : 10:00 am - 7:00 pm / OSAGE ONLINE
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Your Art Agenda This Week, Wanderlisted 12.01.13 // J.J. Ngai, Nadim Abbas, Adrian Wong, Lee Kit, and Tsang Tsou Choi
The first week of January 2012 was a quiet one, but now before the Chinese New Year, all galleries are back again with full force. Lets check out the best of the best this week. (SAAMLUNG for Saturday night is definitely a shoe-in… but it’s Friday that will get ya… for once I can’t decide which one to go to, so many friends exhibiting on that evening. I definitely will NOT be able to make both NOHO and Kwun Tong shows… what to do?)
+ DICTATION: Works by J.J. Ngai / Voxfire Gallery . Jan 13
Born in colonial-era Hong Kong, local artist J.J. Ngai has been particularly interested in the recognition of identity, where his subjects are defined by curious experiences between growing up in Hong Kong to time spent studying in the UK.
The latest series of Ngai’s work, DICTATION, he uses basic Western penciling techniques to imitate traditional Chinese brush strokes, and transfers these techniques back into Chinese art. It’s Ngai’s own unique way of learning through mimicking process by other artists to create a humorous discussion in the concept of identities and stereotypes.
Work by J.J. Ngai / 2011
Work by J.J. Ngai / 2011
Work by J.J. Ngai / 2011
Opening Friday, 13 Jan 6PM - 9PM / DICTATION: Works by J.J. Ngai / VOXFIRE Gallery, 1F 52 Gage Street, Sheung Wan, Hong Kong / Exhibition Dates: 14 Jan - 12 Feb, 2012 / email@example.com / (852)28513385
+NO LONGER HUMAN (Nadim Abbas, Erkka Nissinen, Magadalen Wong), TROGLODYTE SEE THE LIGHT (Adrian Wong), HOW TO SET UP A ROOM FOR JOHNNY (Lee Kit) / OSAGE Kwun Tong . Jan 13
Osage is bringing a triple exhibition for the first month of 2012 including Adrian Wong’s traveling exhibition Troglodyte See the Light; Lee Kit’s Art Statement exhibition How to set up a room for Johnny for Art Basel 2011 and a group exhibition called No Longer Human by Nadim Abbas, Magdalen Wong, and Erkka Nissinen. Opening for all exhibits is this Friday, January 13th.
Adrian Wong / Kaspar Hauser, Ramachandra, & Natascha the Dog Girl of Chita / 2011
Adrian Wong’s solo show was conceived as a structured means of exploring the boundaries and limitations of language. Having undergone several prolonged periods of premeditated and situational isolation (via meditation, extended stays in remote areas, and acute bouts of agoraphobia), Adrian Wong became acutely aware of the increasingly fragmented nature of his internal monologue. These breakages from conventional means of communication highlighted the rarely attended-to nature of pre-linguistic thought, the subject of the present investigation.
Nadim Abbas/ It is Afternoon in Utopia / 2012
No Longer Human, a group exhibition by artists Nadim Abbas, Erkka Nissinen and Magdalen Wong, probes into the processes that reveal and hide our physical and psychological needs and desires. The show is devised and will feature new installation works by all three artists. Departing from the typical exhibition model which dictates that the relationship between the viewer and the artwork should be one of passive contemplation, No Longer Human attempts to create situations in which viewers actively complete the artist’s imaginary.
How to set up a room for Johnny? was presented in the Art Statements section of Art Basel 2011. Lee Kit created a typical Hong Kong demonstration flat with a living room, a toilet, a bedroom, and a small kitchen. Various hand- painted cloths and cardboard paintings infiltrate this domestic prop for an imaginary character. Lee devises a situation that delves into our consciousness through seeing, feeling, acting, and simply being. Like a sudden epiphany, we are left to deal with our own emotions and memories privately. (All Images and Text via OSAGEARTBLOG)
Opening Friday, Jan 13 6PM - 8PM / Osage Gallery Kwun Tong / 5F, Kian Dai Industrial Building, 73-75 Hung To Road, Kwun Tong, Kowloon / Exhibition Dates: 14 Jan - 12 Feb, 2012 / (852) 2793-4817 / Mon-Sun and Public Holidays : 10:00 am - 7:00 pm / OSAGE ONLINE
+KING OF KOWLOON: Works by Tsang Tsou Choi / Saamlung . Jan 14
Continuing on their efforts to bridge the gap between Space, Architecture, Urbanism, and Art, Saamlung is pleased to announce a solo exhibition of new work from the late Hong Kong outsider artist Tsang Tsou Choi, perhaps best known by the epithet from which this exhibition borrows its title: the King of Kowloon.
From the golden years of midcentury colonial Hong Kong almost to his death in 2007, Tsang was notorious for the distinctive writing he left across the terrain of the city: believing that his family had once been deeded the rights to the land now constituting the core of urban Kowloon, the artist engaged in a monomaniacal project of righting this ancient injustice by executing calligraphy describing his geneaological and political situation on lamp posts, electric utility boxes, fences, walls, and other publicly accessible surfaces from one end to the other of the former British territory, demanding his righteous returns.
(via SAAMLUNG Facebook)
As the first exhibition of work from Tsang Tsou Choi in the commercial gallery context, this project positions him as the historical precedent for an alternative future; that is to say, we trace back to his position a certain rupture within Hong Kong art history by which we might locate in his stance the first properly contemporary artist in a region still haunted by the ideological specters of modernism. The core of the exhibition focuses on a series of some half-dozen pieces in ink on board and cloth, large scale paintings that hold their own within even the most recent discussions of the return to analytical expressionism in non-figurative painting today. Further works on display include a number of pieces in pen on paper and several calligraphic-cum-sculptural interventions carried out on objects like umbrellas, lanterns, and utility boxes.
Opening, Saturday January 14th, 6:00-10:00 / Saamlung, 26/F Two Chinachem Plaza, 68 Connaught Rd. C (135-137 Des Voeux Rd. C.), Central, Hong Kong / Tues.-Fri. 11:00-19:00, Sat. 12:00-18:00 / firstname.lastname@example.org / www.saamlung.com
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